Category Archives: BUDDHA STATUES

ANTIQUE BUDDHA STATUES OF SRI LANKA AND their ANTIQUITY

ANTIQUE BUDDHA STATUES OF SRI LANKA AND ANTIQUITY

Sri Lanka, then known as Lankadipa was one of first countries to embrace Buddhism in its original form (Theravada) from the Mahinda, the envoy of King Asoka in 3rd century BC. The earliest images of Buddha in the form of sculpture were of Greco-Buddhist origin in the regions of Taxila presently in Afghanistan and Pakistan. The earliest extant Buddhist sculptures of Buddha in Sri Lanka were in the 5th century AD. Before this time  Buddha was not represented by his image as was his wish, only through reliquary such as his feet, footwear and  dagobas. Later from 5th century onwards during the Anuradhapura period Buddha’s images were started to be produced in gold, bronze copper and other materials including ivory and stone from the 5th century AD on wards to the Kandyan and modern periods.

The early portable images of Buddha are made very scarce due to the fact that invasions mainly from South India may have interfered with the preservation of . Most of the oldest extant Buddha images across Sri Lanka are mainly of stone and are huge enough not to be transported or destroyed by usurpers, invaders or rogues.

The birth of colonial era in the 16th century saw the pilfering and destruction of many Buddhist elements and images. Today off and on we see Buddhist images of antiquity emerging from countries that once ruled Ceylon. It is not entirely unexpected to come across an old sculpture in a flea market in France, England or Germany as a colonial vestige.

Quite rightly and at last Sri Lanka has brought its laws to prevent the outflow of these valuable heritage that complements its history. However the value of this heritage is seen by the rarity of Buddha sculptures hence its extraordinary high prices in the international markets.

 

Standing Kandyan Buddha with his right hand in Vitaka mudra and left arm in lolahasta, carved from wood and magnificently painted on colours. The statue bears all the traditional features of Buddhist sculpture from Sri Lanka (former Ceylon). Ca 18th century. Standing on circular base wearing monastic robes (utterasangha) the shawl (sanghatta) in red, torso in yellow, and curly black hair crowned by sirispata or the flame ornament this religious art object represents  an ultimate piece in Sri Lankan Buddhist art. 

COLOR BUDDHA WOOD 1

Birth of Buddhist art

Although Buddha preached in the 6th century BC, Buddhism first took a firm root in India only in the 3rd BC when the Mauryan king Asoka embraced Buddha’s doctrine after he witnessed human misery as result of his war with adjacent Kalinga state. Prior to Buddha the predominant religion in South East Asia and neighboring countries was Brahminism or Hinduism. Buddha himself was probably a reactionary to the practice of Vedas by the Brahmins who were ritualistic and sacrificial, in contrast to his philosophy which practiced compassion to man as well as other animals. Tantrism is a fusion of the Vedas, Upanishads with sexuality, art, sculpture, theology, mythology, philosophy and cosmology. Tantric Buddhism appeared in Tibet in the 6th century AD following the introduction of Vajrayana Buddhism with the appearance of female (Taras), and male (Avaloketsvara) Bodisattvas (Buddhas to be). When Buddhism arrived at Khmer state in the 13th century, the preexisting Hindu gods such as Vishnu, Linga (Shiva), Uma and Bramah fused with the worship of Buddha giving rise to another form of Buddhist Tantrism as we would observe from the bronze and sculpture from this period. As Buddha himself did not sanction personal worship and the early images of Buddhism for veneration were confined to Buddha’s foot marks and stupas.

Gandhara in the present Pakistan is credited with the first representation of the Buddha in human form; the portrayal of Buddha in his human shape, rather than shown as a symbol. As Buddhist art developed and spread outside India, the Gandhara style spread to most eastern regions of the world. The adjacent Swat Valley, the land of romance and beauty, is celebrated as the holy land of Buddhist learning and piety. It is said that the Swat was filled with fourteen hundred imposing and beautiful stupas and monasteries, which housed as many as 6,000 gold images of the Buddhist pantheon for worship and education. There are now more than 400 Buddhist sites covering and area of 160 Km in Swat valley alone.The earliest discovered statue at Gandhara is that of the seated Buddha from 2nd or 3rd century AD. Other Buddha images from this period too are of Greco-Roman style. They seem to have flourished during the adjacent Kushan reign of Mathura (Uttar Pradesh). Gandharan’s role in the evolution of the Buddha image has been a point of considerable disagreement among scholars. It now seems clear that the schools of Gandhara and Mathura each independently evolved its own characteristic depiction of the Buddha about the 1st century CE. The Gandhara school mostly drew from the traditions of Rome and Greece and represented the Buddha with a youthful Apollo face, dressed in royal garments. The ancient Gandharan artisans in their composition of Buddha’s images and his experiences have transformed the religion into Buddhist Art.

Buddhism and Buddha Image

Although Buddha preached in the 6th century BC, Buddhism first took a firm root in India only in the 3rd BC when Mauryan king Asoka embraced Buddha’s doctrine after he witnessed human misery as result of his war with Kalinga. Prior to Buddha the predominant religion in South East Asia and neighboring countries was Brahminism or Hinduism. Buddha himself was probably a reactionary to the practice of Vedas by the Brahmins who were ritualistic and sacrificial, in contrast to Buddhism which practiced compassion to man as well as other animals.Tantrism is a fusion of the Vedas, Upanishads with sexuality, art, sculpture, theology, mythology, philosophy and cosmology. Tantric Buddhism appeared in Tibet in the 6th century AD following the introduction of Vajrayana Buddhism with the appearance of female (Taras), and male (Avaloketsvara) Bodisattvas (Buddhas to be). When Buddhism arrived at Khmer state in the 13th century, the preexisting Hindu gods such as Vishnu, Linga (Shiva), Uma and Bramah fused with the worship of Buddha giving rise to another form of Buddhist Tantrism as we would observe from the bronze and sculpture from this period. As Buddha himself did not sanction personal worship the early images of Buddhism for veneration were confined to Buddha’s foot marks and stupas.

Buddha secretly leaving his royal life on his horse with Channa

Gandhara in the present Pakistan is credited with the first representation of the Buddha in human form; the portrayal of Buddha in his human shape, rather than shown as a symbol. As Buddhist art developed and spread outside India, the Gandhara style spread to most eastern regions of the world. The adjacent Swat Valley, the land of romance and beauty, is celebrated as the holy land of Buddhist learning and piety. It is said that the Swat was filled with fourteen hundred imposing and beautiful stupas and monasteries, which housed as many as 6,000 gold images of the Buddhist pantheon for worship and education. There are now more than 400 Buddhist sites covering and area of 160 Km in Swat valley alone.The earliest discovered statue at Gandhara is that of the seated Buddha from 2nd or 3rd century AD. Other Buddha images from this period too are of Greco-Roman style. They seem to have flourished during the adjacent Kushan reign of Mathura (Uttar Pradesh). Gandharan’s role in the evolution of the Buddha image has been a point of considerable disagreement among scholars. It now seems clear that the schools of Gandhara and Mathura each independently evolved its own characteristic depiction of the Buddha about the 1st century CE. The Gandhara school mostly drew from the traditions of Rome and Greece and represented the Buddha with a youthful Apollo face, dressed in royal garments. The ancient Gandharan artisans in their composition of Buddha’s images and his experiences have transformed the religion into Buddhist Art.

Gods on Coins & Stamps

BOODOO
First depiction of Buddha ca 200 AD

There are more animals and mortals depicted on coins than Gods.  Yet religion is the oldest culture in the world. Kushan kings of India were the first represent gods incuding Shiva and Buddha in their coins as early as 100 to 300 AD. 

GOLD SHIVA 1
Shiva with Nandi, King Kanishka 100 AD, gold coin from Anton Sebastian Private Collectiom

Religion and deities depicted on coins are construed by some pious people as effacing the value of their gods. Coins are a part of everyday life for everybody, and religious coins can also be a reminder to the presence  of god in daily life. In a puritan’s sense the use of religious coins in monetary transactions could mean that god looks over honesty and integrity when his image is used. 

The coins have their own caste system or status too, the poorest being cooper or aluminium or copper, silver for the gentry, and gold for the kings and the wealthy.

NATARAJA STAMP
Shiva as Natarah

Since late  19th century there came a new forum to represent gods in daily life: the postage stamps. The expression of gods on stamps and coins also contributed to philatelic and numismatic art in daily life.

Gods on Coins and Stamps

Gandhara in the Evolution of Buddhist Art

As Buddha himself did not sanction personal worship the early images of Buddhism for veneration were confined to Buddha’s foot marks and stupas.

Gandhara in the present Pakistan is credited with the first representation of the Buddha in human form; the portrayal of Buddha in his human shape, rather than shown as a symbol. As Buddhist art developed and spread outside India, the Gandhara style spread to most eastern regions of the world. The adjacent Swat Valley, the land of romance and beauty, is celebrated as the holy land of Buddhist learning and piety. It is said that the Swat was filled with fourteen hundred imposing and beautiful stupas and monasteries, which housed as many as 6,000 gold images of the Buddhist pantheon for worship and education. There are now more than 400 Buddhist sites covering and area of 160 Km in Swat valley alone.

The earliest discovered statue at Gandhara is that of the seated Buddha from 2nd or 3rd century AD. Other Buddha images from this period too are of Greco-Roman style. They seem to have flourished during the adjacent Kushan reign of Mathura (Uttar Pradesh). Gandharan’s role in the evolution of the Buddha image has been a point of considerable disagreement among scholars. It now seems clear that the schools of Gandhara and Mathura each independently evolved its own characteristic depiction of the Buddha about the 1st century CE. The Gandhara school mostly drew from the traditions of Rome and Greece and represented the Buddha with a youthful Apollo face, dressed in royal garments. The ancient Gandharan artisans in their composition of Buddha’s images and his experiences have transformed the religion into Buddhist Art.

ANTIQUE BUDDHA STATUES